So, first question: what exactly is the difference between "abridged" and "adapted"? They're similar in concept, but it's a straight-forward answer. If it's just shortened, but all the language is from the original, that's an abridgment. An adaptation is not merely abridged, but has been rewritten in different (often age-appropriate) language.
We have a love-hate relationship with these sorts of books. While we don't generally encourage the reading of abridged editions, we do understand that some parents want to expose their kids to great stories before they're old enough to read the real thing. Sometimes, these can be brilliantly retold, good enough to be considered literature in their own right, and authors like Rosemary Sutcliff, Alfred Church, and Padraic Colum spent most of their careers creating books like this. William Shakespeare's plays have also often been adapted by authors like Charles & Mary Lamb or E. Nesbit. Because they don't usually have the same title as the originals, we often don't label them as adapted or abridged in our database entries; if they do share the title, we'll list it as "retold".
Many adapted books of today are NOT these books, often hastily-rewritten, mass-produced adaptations that really oughtn't use the title of the original. Sure, the main plot points are there, but classics are more than just bare bones plots; part of what makes a book great is the quality of the author's expression, the wit and grace he or she uses to tell their tale. An abridged or heavily edited version almost always demolishes the poetry of the original and presents classic stories as simple bullet-point collections of incidents. For us, if the book does not clearly state the name of the editor/adapter, we'll generally avoid carrying it.
That said, if you intend to have your kids read the original later on, these could provide a decent introduction to provide some familiarity before jumping into Great Expectations or The Iliad. Sometimes reading the classics can be confusing during the first few encounters, and having some knowledge of the general plot, characters, and theme beforehand can be useful (though remember that, in an adaptation, you're getting the editor's interpretation of the theme rather than the theme itself).
Abridgements can be a bit tricky, because they're not always labeled as such. Some huge books, like Les Misérables or Count of Monte Cristo, bear some cutting here and there and a good abridgement makes them more accessible. For others, like Robinson Crusoe and Gulliver's Travels, some publishers have elected to make editorial cuts that they chose not to declare as abridgments, but they're not the full originals. We do our best to make these cuts obvious (see a list here).
With all that said, most of the abridged and adapted classics we have in stock are listed below. Some of them are valuable for their illustrations alone (particularly the Little Unicorn books, with full-color pictures by the Brothers Hildebrandt) or their value as collector's items, but we would encourage you not to consider these your final exposure to the titles. There are riches that await!
Introduction by Eli Evans, with C. Hollis Crossman
Formerly home educated and now father of five, Eli loves discovering amazing books, new and old, and is an artistic curator at heart. The owner and manager of Exodus since 1998, his focus is on offering thoughtful and well-written books that inspire the imagination and promote creativity and diligence while living for God. Read more of his reviews
here.
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