Pride and Prejudice

Pride and Prejudice

Dover Thrift Editions
by Jane Austen
Publisher: Dover Publications
Mass market paperback, 262 pages
List Price: $7.00 Sale Price: $5.95
Used Price: $2.80 (1 in stock) Condition Policy

True romance has not changed substantially since Jane Austen's day. Men and women fall in love, are presented with obstacles, overcome obstacles, and pursue marital bliss with the same mix of tears, laughter and embarrassment as the recipe called for in Regency England. Which is why people continue to read a novel in many ways merely a provincial portrait of rural upper middle class Britain at the cusp of the 18th and 19th centuries.

There are other reasons, too. Austen knew how to write, certainly, and had an excellent (if sometimes too cultured) sense of humor, particularly regarding instantly recognizable character types. Which has led to unfounded suggestions of satirical intent—Austen's demure observations aren't intended for anything as politically motivated as satire, simply to show the foibles to which humans are prone.

And the difficulty of obtaining a good match. If there is a political element to Pride and Prejudice it's the idea that women of good character can secure men of good character, women of bad character will attract men of bad character, and sometimes unions are formed that are not altogether good or bad but are expedient. Elizabeth Bennet's good fortune is that marriage to Mr. Darcy is both expedient and good.

In many ways this is simply a fun love story with enough ups and downs and twists to make it interesting. It's funny, and the dialogue really is some of the best of its day and still holds up 200 years later. Not much happens, but as a "novel of manners" not a lot is expected to (though not all readers will be able to identify with a landed gentry whose time is equally divided between balls and leisure).

The real value of Pride and Prejudice, however, is not the love story. Long before the "psychological novel" Austen was investigating human emotion and motivation on a serious level. Her genius lay in her ability to evoke psychological elements through external observations alone—she describes behavior, not thoughts. This novel clearly demonstrates her talent, and is largely responsible for the fairly recent Austen revival.

Review by C. Hollis Crossman
C. Hollis Crossman used to be a child. Now he's a husband and father who loves church, good food, and weird stuff. He might be a mythical creature, but he's definitely not a centaur. Read more of his reviews here.
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  Excellent Reading
HappyHomemaker of Oregon, 5/18/2011
This is probably the most well-known of all Austen's novels, and for good reason. Elizabeth Bennett is a free, independent spirit, and even she has to learn that first impressions should not be clutched forever.
I found this to be one of the easier reads among the Austen novels, and while there are not overturned carriages or sword-fights, there are villains (who hold no regard for the honor of a lady) and villainesses (who think their wealth and status entitle them to run the lives of others), and heroes, and of course, heroines.
It is a fascinating look into another world, where the honor of a lady was vital not only for her sake, but for the future of her family. And balls were still held. And where a girls fortune depend on her marriage. And where they had only carriages and horses to get places if they didn't want to walk...
You get the idea.
Read it if you're a girl.
Read it if you're a boy.
No one gets excuses.