"I have never concealed the fact that I regarded [George MacDonald] as my master . . . The quality that had enchanted me in his imaginative works turned out to be the quality of the real universe, the divine, magical, terrifying and ecstatic reality in which we all live." —C. S. Lewis
George MacDonald occupied a major position in the intellectual life of his Victorian contemporaries. The Complete Fairy Tales brings together all eleven of his shorter fairy stories as well as his essay The Fantastic Imagination. The subjects are those of traditional fantasy: fairies good and wicket, and children journeying into unsettling dream worlds or undertaking life-risking labors. But though they allude to familiar tales such as "Sleeping Beauty" and "Jack the Giant-Killer," MacDonald's stories are profoundly experimental and subversive. By questioning the concept that a childhood associated with purity, innocence, and fairy-tale "wonder" ought to be segregated from adult skepticism and disbelief, they invite adult readers to adopt the same elasticity and open-mindedness that come so naturally to a child. Enlisting paradox, play, and nonsense much like Lewis Carrol's Alice books, these fictions challenge us to question and rethink our assumptions, and offer an elusive yet meaningful alternative order to the dubious certitudes of everyday life.
CONTENTS:
Introduction
Suggestions for Further Reading
A Note on the Texts
The Fantastic Imagination
From Adela Cathcart
- The Light Princess
- The Shadows
- The Giant's Heart
From Dealings with the Fairies
- Cross Purposes
- The Golden Key
From At the Back of the North Wind
- Little Daylight
- Nanny's Dream
- Diamond's Dream
Later Tales
- The Carasoyn
- The Wise Woman, or the Lost Princess: A Double Story
- The History of Photogen and Nycteris: A Day and Night Mährchen
Explanatory Notes
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