Art History & Appreciation

There are works of art so inherently beautiful or stunning that anyone looking at them ends up choking back tears, or standing transfixed, or simply unable to breathe for several seconds. What you won't often hear is that those are the exceptions, that most paintings, buildings and sculptures require anterior knowledge to be fully appreciated.

Once you know what to look for, the once-abstruse and confusing world of chiaroscuro, Pre-Raphaelite, and oxidation fire becomes navigable and even a welcome place from the ho-hum mundanities of the everyday world. Though, of course, we'd be the last to encourage art appreciation for mere escapism—if a work can't reveal some element of human nature or help us understand things a little better, it isn't worth much.

This is one reason a lot of modern art can't really be considered art at all. It isn't intended to reveal anything, but simply to be "living commentary," a mere reflection, not of reality, but of the artist's inner conflict or angst. Sometimes it's not even that deep, and simply reflects the belief that there is no meaning in the world, that everything is empty, that nihilism is the only truth.

We reject those claims entirely. Everything is meaningful because Christ has made it so. Taken too far that idea is sometimes used to defend all kinds of non-art and just plain bad art, but all it really means is that everything is either consistent with or in rebellion against God's truth, and that artistic endeavours reveal which side the artist is on.

For Christians, understanding art from this perspective should be the primary motive in studying anything from the Sistine Chapel to Rembrandt's portraits to the illustrations of N.C. Wyeth. Art has the potential to entertain and delight, but it also affects the attitudes and thoughts of those who come in contact with it. Understanding a work's context and significance will immensely help us determine whether it's beneficial or pernicious.

Review by C. Hollis Crossman
C. Hollis Crossman used to be a child. Now he's a husband and father who loves church, good food, and weird stuff. He might be a mythical creature, but he's definitely not a centaur. Read more of his reviews here.
Did you find this review helpful?
10 Items found Print
Active Filters: 19th Century
At Home with Beatrix Potter
by Susan Denyer
from Harry N. Abrams, Inc.
for 6th-9th grade
in Peter Rabbit & Friends (Location: FIC-PETER)
Country Artist
by David R. Collins
from First Avenue Editions
Biography for Preschool-3rd Grade
in Biographies (Location: BIO)
John James Audubon: Painting America's Wildlife
by Janet Stevenson, illustrated by Robert Boehmer
from Encyclopedia Britannica
for 7th-10th grade
in Vintage History & Biographies (Location: VIN-HIS)
$12.00 (1 in stock)
Mathew Brady
by James D. Horan
from Bonanza Books
for 8th-Adult
in Vintage History & Biographies (Location: VIN-HIS)
$4.00 (1 in stock)
N.C. Wyeth's Wild West
by N. C. Wyeth
from Brandywine River Museum
for 7th-12th grade
in Clearance: History & Geography (Location: ZCLE-HIS)
Picture Study Portfolio Extra Print Pack: Millet (1814-1875)
by Emily Kiser
from Simply Charlotte Mason
for 1st-12th grade
in Simply Charlotte Mason (Location: CUR-SCM)
Picture Study Portfolios: Monet
by Emily Kiser
from Simply Charlotte Mason
for 1st-12th grade
in Simply Charlotte Mason (Location: CUR-SCM)
Story of Dan Beard
Grosset & Dunlap Signature #43
by Robert N. Webb, illustrated by Everett Raymond Kinstler
from Grosset & Dunlap
Biography for 5th-9th grade
in Grosset & Dunlap Signature Books (Location: VIN-SIG)
Story of John J. Audubon
Grosset & Dunlap Signature #27
by Joan Howard, illustrated by Federico (Fred) Castellon
from Grosset & Dunlap
Biography for 5th-9th grade
in Grosset & Dunlap Signature Books (Location: VIN-SIG)
Trails Plowed Under
by Charles M. Russell
from Doubleday & Company
for 7th-12th grade
in Vintage History & Biographies (Location: VIN-HIS)
$6.50 (1 in stock)